Recently, my paintings and drawings have taken upon two different subject matters. One consists of geometric abstract forms in landscape scenes; combining the style of Brutalist structure, and the theatrical setting of a Spanish Baroque painting. The other subject is a reference to sensory deprivation experiments held in the mid 20th century.
Although these subjects may appear different, I am using geometric forms as the connecting theme between these works. All of the artwork in this series is a juxtaposition of traditional pedagogy of painting with the aesthetics of scientific illustration. There is a play on architectural and scientific principles of order and the Platonic concept of unseen abstract worlds. I am using these contrasting stylistic choices to attract viewers to reconsider their perception and inspire questions about the fundamental structures of our reality.
Monad Molecule 1
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